Catalyzing Engaged Digital Scholarship Grant 2025-2026 Awardees

Catalyzing Engaged Digital Scholarship Grant 2025-2026 Awardees

Please join us in congratulating the winners of the 2025-2026 Catalyzing Engaged Digital Scholarship (CEDS) Grant, co-presented by UBC’s Public Humanities Hub (PHH) and Digital Scholarship in Arts (DiSA). This grant provides $10,000 over 2 years to support collaborative critical inquiry and technological innovation with recipients intending to subsequently apply for Tri-Council funding.  

Dr. Kimberly Huyser (Department of Sociology) 

Tracing Settler-Colonial Logics in Canadian Legislation and Legal Rulings  

Abstract: The realization of Indigenous sovereignty and self-determination over ancestral lands often requires recognition within Canada’s legal system. Despite the importance of these decisions, this system is ultimately colonial. Indigenous Peoples have long understood how Canadian law systematically works to eliminate, displace, and replace their ties to their traditional territories. Yet, few studies have traced these patterns across the corpus of legal text that shape Canadian law through precedent and legislation at scale. The proposed project aims to address this critical gap by Indigenizing large language models, analyzing 121,700 Canadian court documents and pieces of legislation informing court rulings from 1870 to the present, as are archived in A2AJ Canadian Legal Data project. 

Biography: 

Dr. Kimberly R. Huyser is a Professor of Sociology at the University of British Columbia. She is an enrolled member of the Navajo Nation and grew up on the Navajo reservation in Arizona, USA. Dr. Huyser received her BA from Calvin University in 2003 and her Ph.D. – Sociology in 2010 from the University of Texas at Austin with an Indigenous Studies Graduate Portfolio and a traineeship from the Population Research Center at UT, Austin. Her scholarship combines medical sociology and the sociology of race and ethnicity. 

 

Dr. Alexander Ross (School of Information) 

Playful Engagements: Catalyzing Digital Game-Based Approaches To Teaching And Research  

Abstract: Playful Engagements: Catalyzing Digital Game-Based Approaches To Teaching And Research is a workshop Series and forum designed to facilitate collaborative and interdisciplinary approaches to incorporating game-based learning and research. Instead of approaching games and play as entirely new phenomena that need to be inserted into academic work, this project will propose ways to approach them as learning tools and methodologies, inviting faculty and graduate students to share how they are currently engaging with playful approaches to teaching and research. These talks will be structured according to a game-based methodology (i.e. walkthroughs) and will include hands-on engagement with digital games. This project aims to break down disciplinary boundaries and facilitate new creative skills and digital literacies across the university and for the general public.  

Biography: Dr Alexander Ross is a critical communications scholar, with a focus on media theory and the political economy of communication. His research is interdisciplinary and focuses on how communication systems and infrastructures impact the development of new media industries and cultural production. Dr. Ross’s research has mainly focused on digital platforms and the role they have played in expanding the popularity, reach, and influence of highly volatile contingent commodities. The next phase of his research is grounded in broader questions of contingency and ephemerality in media and communication, exploring these issues within a critical Indigenous context. 

Dr. Patrick Parra Pennefather (Department of Theatre and Film) 

Abstract: The symposium is a policy-focused research project using structured debate among artists, legal experts, and developers to resolve critical intellectual property conflicts raised by generative AI.  The research integrates four core questions: defining the level of human authorship required for copyright protection, clarifying the legal status of commercial AI training data ingestion (the input problem) under Canadian Fair Dealing, establishing how laws apply to works that mimic artistic style, and proposing new legislative frameworks to balance technological innovation with creator remuneration and content sovereignty. The project’s final dissemination is a policy synthesis report designed to influence the modernization of Canada’s Copyright Act and inform global digital policy on machine-assisted creation.  

Biography: Dr. Patrick Parra Pennefather is an Associate Professor in the UBC Department of Theatre and Film and is co-appointed with the inter-institutional Master of Digital Media program. He is passionate about bridging disciplines of practice and thrives in collaborative projects. Teaching sound design and collaboration, he draws from his work as an award-winning designer and composer for live and virtual spaces having worked on over 250 productions in Canada, the US, Europe, and Asia. Dr. Pennefather is a designer of interactive experiences working as a sound designer, designer of learning and producer of scalable virtual and augmented reality prototypes. 

Before the Public: Rethinking Public Scholarship through Community-Based Education

If we believe that public scholarship is a condition for informed public discourse and open, democratic societies, what do we do if the conception of the “public” differs from the ways in which people actually engage with information in today’s world?

Rather than understanding public scholarship as a type of contribution to a “marketplace of ideas” in which research is made accessible to a broad audience, we seek a form of public scholarship that goes beyond public relations and engages in community-building as part of the project of knowledge-dissemination. In this context, public scholarship becomes a political, ethical, and social commitment towards the creation of a public sphere that is not empty or abstract but concrete and present.

Such a project entails its own set of challenges and contradictions, especially relating to politics, history, culture, identity, and language. This workshop aims to open up these questions, drawing on the example of community-based adult education taking place at the Peretz Centre for Secular Jewish Culture in Vancouver, BC.

Adi Burton is an interdisciplinary scholar and community organizer. As the Co-Executive Director of the Peretz Centre for Secular Jewish Culture in Vancouver, she works to open spaces of learning and thinking critically about Jewish cultures and histories in a community setting. She completed her PhD at UBC in the Interdisciplinary Studies Graduate Program in 2022. Her scholarly work draws on phenomenology, political theory, and philosophy of education to face the ethical and political challenges of anti-genocide activism, focusing on the concept of responsibility after the Holocaust (with particular reference to Hannah Arendt and Emmanuel Levinas). From 2007 to 2022, Burton was an active member of STAND Canada, a national, youth-led advocacy organization working to make ending and preventing genocide a cornerstone of Canadian foreign and domestic policy.

Itamar Manoff is Co-Executive Director of the Peretz Centre for Secular Jewish Culture. He received his PhD from the UBC Department of Educational Studies in 2025.

Drawing on scholarly discussions in second language acquisition research, educational ethics, pragmatism and phenomenology, Manoff’s scholarly work highlights the existential and ethical dimensions of committing, and learning from, one’s errors in the context of coming into a new language. Working in the field of community-based adult education for over 15 years, Manoff has led and developed educational programming that focuses on social justice, cultural renewal and language education.

He teaches English, Hebrew, and Yiddish courses with community organizations and universities, and is the co-founder of This is Not an Ulpan, a grassroots community-based cooperative language school in Israel/Palestine based on the principles of critical pedagogy.

 

Friday March 20th, 2026
12:00-3:00PM
Dodson Room, Irving K. Barber Learning Centre

 

A light lunch will be served.

Presented in partnership with the UBC Jean Monnet Center of Excellence in Critical Infrastructure Studies, with funding from the European Union.

RSVP Required

 

What Kind of University do we Want? A Symposium

What Kind of University Do We Want? is a two-day gathering of academics, students, and community members—teachers, artists, organizers, and poets—who care about the university’s future. Through shared conversation, we reflect on the university’s history and imagine what it could become. In Canada, the humanist university has been critiqued for its exclusionary foundations and failure to meet its public mission, while recent structural shifts have reduced accountability to faculty, students, staff, and the public. Caught between static educational models and managerial logics, universities often reproduce narrow, unimaginative forms. By asking this question, we seek to initiate an ongoing conversation about the limits of the present institution and how to envision a university that embraces multiple roles and imagines more just futures in an increasingly cruel world order.

Presented in partnership with Audain Gallery and the Institute for the Humanities at SFU.

Program

March 13th | Keynote Lecture: Is the University Recognizing the Gifts of Indigenous Knowledges?

Dr. Dorothy Cucw-la7 Christian, Associate Director, Indigenous Policy & Pedagogy, Simon Fraser University

Dorothy Cucw-la7 Christian will discuss of the framework of the book she is writing, Fourth World Cinema:  Narrative Sovereignty & Indigenous Knowledges (Working title) grounded in her graduate research that focuses on how Indigenous knowledges informs Indigenous film production practices.  Dr. Christian will share stories from her experiences in the field that speak to the centrality of land, story, and cultural protocols. 

Respondent: Dr. Wenona Hall, Associate Professor and Department Chair, Indigenous Studies, Simon Fraser University

 

Dorothy Cucw-la7 Christian is of the Secwepemc and Syilx Nations from the interior plateau regions of what is known as British Columbia in western Canada. Her graduate research centralizes land, story, cultural protocols and how Indigenous Knowledges informs and guides Indigenous film production practices. Before graduate school she worked for the national broadcaster Vision TV to bring Indigenous stories to the national screen.  

Dr. Christian serves as Secretary on the Board of the Indigenous Screen Office in Toronto and has curated programs for the 2018 and 2019 ImagineNative film festival, the largest Indigenous film festival in the world. Currently, Dr. Christian is on study leave from the Faculty of Graduate Studies at Simon Fraser University where she sits in the role of Associate Director, Indigenous Policy and Pedagogy. During her leave, she is writing a book, Narrative Sovereignty & Indigenous Knowledges (working title) to be published by Fernwood Press. A chapter, “Competing Narratives on Turtle Island” in a book, Visual Sovereignty & Settler Colonial Screen Culture: The Imaginary Frontier out of Australia is forthcoming in late 2026 with Routledge.  

  

Dr. Wenona Hall is Stó:lō from Sq’ewqeyl  First Nation and the Ts’elxwéyeqw Tribe located in Chilliwack, BC. She joined SFU’s Indigenous Studies Department in November 2022 as an Associate Professor and in September 2023 assumed the position of Chair. Dr. Hall’s research interests are in Indigenous Governance, Indigenous Justice, Processes of Decolonization and Indigenous Resurgence. She is also a mother of three beautiful children: Jade, Justice and Alexis Lyle Victor. 

 

Friday, March 13th, 6:30pm-8:00pm

C400 UBC Robson Square, 800 Robson St.

 

March 14th | Panel Discussions

Panel 1: Student as Producer

  • Harjap Grewal, Graduate Student Society, SFU
  • Bobby Malone, Hanako Teranishi, Fionna Fisher. Graduate Students, SFU
  • Isabella Pojuner, PhD Student UBC & Hammad Jabr, Student, UBC
  • Chaired by Jeff Derksen (Department of English, SFU) & Peter James Hudson (Department of Geography, UBC)

Panel 2: Alternative Pedagogies and Radical Thought

  • Glen Coulthard, Dechinta Centre for Research and Learning, UBC
  • Wenona Hall, Indigenous Studies Department, SFU
  • Roxanne Panchasi, Department of History, SFU
  • Michelle Stack, Department of Educational Studies, UBC
  • Chaired by Am Johal

Panel 3: The Future of the Public University: Blast from the Past

  • Kay Higgins, School for the Contemporary Arts, SFU
  • Eugene McCann, Department of Geography, SFU
  • Kathy Feng, Below the Radar Podcast
  • Chaired by Sabine Bitter, School for the Contemporary Arts, SFU

 

Saturday, March 14th, 1:00pm – 5:00pm
Audain Gallery
School for the Contemporary Arts
149 W. Hastings St, Vancouver

 

Keynote Registration