Designing for Difference


DATE: October 28, 2020

TIME: 9:30am – 10:45am

LOCATION: Zoom


Graphic with narrow border on left side, a cropped copy of a photo with dark background and streaks of bright turquoise and white streaks created when people in motion with light sources were photographed in long exposures. With talk title and presenter name as described in tweet. Additional text on banner: "Digital Humanities Conference Keynote." Dr. McPherson is "Chair, Cinema and Media Studies, University of Southern California, and author of Feminist in a Software Lab. Wednesday, October 28, 2020. 9:30-10:45am PDT. Online via Zoom." The University of British Columbia crest and Public Humanities wordmark are at the bottom. Black and white photo of Dr. McPherson on the right, from shoulders up, smiling at the camera, wearing glasses, necklace with stone pendant, and cardigan.

A keynote presentation for COLLABORATION: A Digital Humanities Conference.

Dr. Tara McPherson is the Chair of Cinema and Media Studies at University of Southern California and author of Feminist in a Software Lab.

How did a feminist film scholar trained in post-structuralism and critical race theory end up collaborating on software design? In answering that question, this talk engages various histories in the development of computational systems in order to argue that we need more humanities scholars to take seriously issues in the design and implementation of software systems. Humanities scholars are particularly well suited to help us think through such topics as the status of the archive as it mutates into the database, the possibilities for less hierarchical computing, and the cultural contexts of code. In short, this talk argues that neither theorizing media nor building new technologies is sufficient onto itself; we must necessarily do both. As a concrete example of the relationship of theory to practice, McPherson will discuss the work that her University of Southern California team has undertaken over the last decade, including the digital journal, Vectors, and the new multimodal authoring platform, Scalar. Their research has always been in direct dialogue with key issues in the interpretative humanities, including discussions of race, gender, sexuality, memory and emotions, and social justice and power. How can such themes come to shape the practice of software design?